Mubba
music and software
Thursday, March 15, 2012
Wednesday, February 29, 2012
Tuesday, December 6, 2011
The Comfort Zone
by
Michael Radford
at
7:44 AM
I've decided to be finished with The Comfort Zone, to follow Implications as part two of an aggressively unfashionable instrumental suite:
These started as a writing exercise to aid focus on “just the notes”: no percussion, only sampled instruments (no endless knob twiddling), and only production that would have been vaguely plausible without computers (but allowing for some synths and a digital delay).
These started as a writing exercise to aid focus on “just the notes”: no percussion, only sampled instruments (no endless knob twiddling), and only production that would have been vaguely plausible without computers (but allowing for some synths and a digital delay).
Tuesday, March 8, 2011
Thracian Gift Horse
by
Michael Radford
at
8:54 AM
I'm declaring this one finished: Thracian Gift Horse.
Wednesday, February 16, 2011
Mandatory release — February 6-16
by
Michael Radford
at
10:11 PM
Playing around with drums through piezo pickups.
Wednesday, January 19, 2011
Mandatory release — January 16–19
by
Michael Radford
at
8:23 AM
An embryonic snippet from the past couple of days. I started using the Mandala for the first time, before getting distracted with other instruments.
Sunday, June 20, 2010
From the “WTF?” Vaults, Part 1
by
Michael Radford
at
4:54 PM
Some abandoned experiments that I still enjoy in their own way.
1. A menacing mass and spring simulation gone wrong, from 2004.
2. An early experiment with “granular vector spaces” from 2007.
3. A doubly-abandoned piece: the droning noises are from an old experiment related to the first one, which I ran across in 2009 and used in this beginning of a song.
1. A menacing mass and spring simulation gone wrong, from 2004.
2. An early experiment with “granular vector spaces” from 2007.
3. A doubly-abandoned piece: the droning noises are from an old experiment related to the first one, which I ran across in 2009 and used in this beginning of a song.
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